by Julie Mandel 12:25 min
Composer
Short and . . .
Duologue 13 for two trumpets
A Brief Encounter between oboe & piano
A Second Brief Encounter between cello & piano
Trio Sonata for 2 violins & cello
Measure for Measure for trumpet & piano
Duologue 16 for flute & clarinet
All at Once
Projections for oboe & percussion
Duologue 15 for oboe & English horn
Varied Intensities for piano
Discursive Colloquia for flute, clarinet, cello & percussion
2 by 4 for cello & double bass
Sextet for 2 violins, 2 violas, 2 cellos
Tasti toccati e battuti for piano
Linescape for string trio
3 Soliloqies for solo oboe
Grotesqueries for oboe, clarinet, cello & double bass
Short Sonata for violin & piano
Rhapsodic Interplay for violin & clarinet
Merely in Jest for flute, clarinet and bassoon
Duologue 14 for oboe and violin
A Brief Encounter between cello and piano
THREE SONGS FOR SOPRANO, FLUTE, CELLO AND PIANO
LATE NIGHT THOUGHTS
by Julie Mandel for soprano, flute, cello and piano, 4:55 min
MAY I TAKE YOUR COAT?
by Julie Mandel, for soprano, flute, cello and piano, 3:25 min
TOMORROW CAME
Music by Julie Mandel, for Soprano, Flute, Cello and Piano, 3:51 min.
DAYBREAK IN ALABAMA
Music by Julie Mandel, Lyrics by Langston Hughes, for  SATB and Piano, 4:00 min
DAYBREAK IN ALABAMA
by Julie Mandel for Soprano and Piano
EASY DOES IT
by Julie Mandel for Marimba and Piano 4:58min
HOLIDAY
by Julie Mandel for flute and piano 5:42 min
Prelude for Lloyd, op. 204
on the letters in the name
lloyD CHriStopHEr By-tAnEDo
(1’06”)
Harvard-Radcliffe Reflections, op. 203
Organ Postlude for Harvard College Class of 1971 Reunion Memorial Service
starting with a fugue on the letters
HArvArD-rADCliFFE rEFlECtionS: “worSt ClASS EvEr”
then quoting “Fair Harvard,” 10,000 Men of Harvard,”
“Change the World, It Needs It” and “Let’s Change the Woild”
prem. by composer, Harvard Memorial Church, Sep. 22, 2011
(3’21”) Â Posted on YouTube at
Let America Be America Again, op. 202
setting of 1935 poem by Langston Hughes (8′)
Republicans, op. 201
Cabaret song for duo, words by composer,
inspired by but not based on Jean Reizner’s “Barry’s Boys”
premiered at Kutsher’s June 18, 2011 by Helene Williams & composer
viewable on YouTube at
Theme & Variations: SCott EtAn FEinEr, op. 200
Allegro ma non troppo, Poco scherzando, Quasi barcarolle, Rapsodico, Scherzando ancora, Waltz, Farandole, Balkanesca, Fuga: Allegretto (ma non troppo)  (5’20”)
prem. by Scott Etan Feiner & composer, Court Street Music, June 12, 2011
viewable on YouTube at
Russian Study, op. 199
2-minute piano piece for Karen Gustave;
premiered by her at Court Street Music,
June 12, 2011
Musical Chairs, op. 198
setting of eponymous poem by Carol Miller (1957-2oo4)
premiered at Court Street Music recital June 12, 200a
by Helene Williams & composer; viewable at
Suite: Remembrance, op. 197A
4 movements – see op. 197
for Márcio Bezerra & Estibaliz Gastesi; premiered by them
at Univ. of Minnesota, Duluth, Apr. 14, 2011;
Palm Beach Atlantic Univ., Boca Raton FL Mar. 22, 2012
Suite #2 for String Quartet: Remembrance, op. 197
4 movements:
1) I Remember (in memoriam Jacob Rosenberg, 1922-2008, Lodz Ghetto survivor)(2′)
[see op. 149 #2]
2) Hitler in Hameln: The Honorary Citizen (after Henryk M. Broder)(3′)
[see op. 79 #5]
3) I’d Like to Go Away Alone (after Alena Synkova, 1926- , Terezin survivor)(2′)
[see op. 105 ]
4) From 6 Million Nameless Graves (after Edith Segal (1902-1997) & Hirsh Glik)(3′)
For roBErt voiSEy, op. 196
solo piano piece for Robert Voisey’s 40th birthday
Monodies for Solo Trumpet in B-flat
Monodies for Solo Oboe
Consorts for recorder quartet
Monodies for Solo Bassoon
Emanuel Sikora
No member information at this time.
Christopher Lyndon-Gee
No Member information at this time.
Pastorale for Piano, Clarinet and Violin
We Are Innocent, op. 94
cantata on letters of Julius & Ethel Rosenberg, 1987-88, 45’30”
for baritone (or tenor), soprano, and optional chorus, with piano or orchestra
in 12 movements, prelude & 2 interludes.
First complete performance by Helene Williams and Peter Schlosser,
with composer at piano, on “Meet the Composer” grant,
at Bryant Library, Roslyn 6/14/88;
also perf. at Museum of Fine Art (Roslyn)10/6/88,
Community Church of Boston, 12/11/88, WESPAC (Ardsley, NY) 12/22/88;
prem. with (Metropolitan Philharmonic) Chorus
at Community Church of NY 6/19/88
also perf. WQXR-AM, NY (“The Listening Room”) 12/8/88
#2, 1, 7 & 4 perf. at Weill Recital Hall benefit for Ezrath Nashim 6/14/89
and at Temple Sinai of Roslyn 8/20/89
prem. w/Soloists, Chorus & Orchestra:
Metropolitan Philharmonic Chorus & Orch, cond. by composer
[Associate Conductor: Bill Grossman]
Marymount Manhattan Theater 6/11/89;
video on YouTube as indicated below:
audio recording: OPUS ONE #145
other perfs w/Helene Williams, Ronald Edwards & Chor:
Plandome Unitarian Church 6/19/93;
w/Helene Williams, Gregory Mercer & Chor:
6/15/03 Puffin Cultural Forum, Teaneck NJ;
6/18/03 Stephen Wise Free Synagogue, Manhattan
Prelude
1) Childhood Memories (Julius)
2) The Shofar (Ethel [+Chorus])
3) Together (Julius & Ethel)
4) We Are Innocent (Julius & Ethel [+Chorus])
5) How Sad I Was To Leave You (Ethel) + Interlude
6) How Much You Have Given Me (Julius)
7) The Astounding Spectacle (Ethel & Julius [+Chorus])
7A) Interlude
8) A Visit From Mother (Ethel)
9) Of Course It Isn’t Easy (Julius)
10) “Mercy”?
11) On the Threshold of Death (Julius)
(Variations on a theme by Edith Segal, used by permission)
12) To Michael & Robert (Ethel & Julius [+Chorus])