Leonard Lehrman

Mi Shebeirach, op. 129A

written as part of Friday Evening Service, 4/11/97

but not performed with it;

premiere 7/3/97 by Faith Steinsnyder, David Perper & composer

ACC-GTM Convention, Huntington Hilton Hotel;

also sung by them 8/16/09, 8/20/09, 8/8/10, 1/23/11;

solo version premiered by Janis Sabatino Hills & composer,

Malverne Community Presbyterian Church (LICA) 10/19/97;

choral version premiere by North Shore Synagogue Choir & composer

at Malverne Community Presbyterian Church (LICA) 11/15/98

Suite(s) for Cello & Piano, op. 133

suite of 12 pieces in memory of Benar & Olga Heifetz (1997)

#1-6 and 7-12 may be performed as Suites #1 (16’45”) & 2 (16’30”)

1. A Light in the Darkness (2’15”)

2. The Shepherd (3’30”)

3. Thanatos (2’00”)

4. Eros (3’00”)

5. The Definition (2’00”)

6. The Moon (4’00”)

7. The Painted Veil (5’00”)

8. Night (1’00”)

9. Thinking of You (2’30”)

10. Don’t Ask (3’00”)

11. One Day (3’00”)

12. A Blessing (2’00”)

#1 performed at North Shore Synagogue, Syosset NY 4/11/97

and at subsequent Yom Kippur services, 1997-2000;

#1, 3 & 6 performed 8/20/99 Bryant Library (LICA)

may i feel, op. 136

setting of E.E. Cummings poem as

duet for male & female voices & piano (3’00”)

premiered by Helene Williams & composer, Eastover, Lenox MA 6/24/98

also by Ronald Edwards, Janis Sabatino Hills & composer,

Bryant Library (LICA) 11/1/98

Wild Nights, op. 137 #3

setting of poem (#249) by Emily Dickinson for voice & piano

#3 (of 3) from Emily Dickinson Song Cyclette, op. 137

premiered by Helene Williams & composer, 2/99 (LICA)

recorded on Capstone #CPS-8667:

Helene Williams sings More Songs of Love by LICA Composers

Faith, op. 138

setting of text by James Baldwin (3′)

for solo voice or SATB chorus & piano;

choral premiere, Malverne Community Presbyterian Church 11/15/98

solo premiere, Helene Williams & composer, Hofstra (LICA) 1/17/99

also sung by Faith Steinsnyder with composer at piano

8/16/09, 8/20/09, 8/8/10, 1/23/11 (Lehrman birthday concerts)

Alphabetical Song, op. 140

setting of 26 words, beginning with A-Z, text by composer

for voice & piano (1’00”)

inspired by & written as complement to

Daniel Dorff’s “Two Alphabetical Songs”

premiered (with them) by Helene Williams & Leonard Lehrman

8/20/99 Bryant Library (LICA) Lehrman Semi-Centennial Concert

What Can I Give?, op. 145

2-part canon with accompaniment (+optional bells)

setting of poem by Christina Rossettii (2′)

for Malverne Community Presbyterian Church Jr. Choir

premiered by them 12/17/00;

performed & recorded with bell choir,

St. George’s Church, Hempstead 12/10/06

Booby Trap, The, op. 146

subtitled: Off Our Chests

musical with texts by Sydney Ross Singer & composer

on the link between bras & breast cancer

for 2 men, 2 women, and a piano (and optional cello),

based on A Little Breast Play

by Singer & Soma Grismaijer, Dec. 2000-Jan. 2001;

asterisked numbers* added, 2005;

written for & performed by Helene Williams, Cary Bair,

Peter Kacalanos/Leonard Lehrman,

Sarvamangala/Susan Blake/Kathryn Wieckhorst

Excerpts:

Overture*

Doctors*

Think Pink*

Barbie Blues

Baby Breasts

The Boobs Blues

Pusher Bra*

Fiji*

Silicone Sal

Breast Play

Quartet: Pillow Talk

It’s Tough Bein’ a Tittie Today*

A Break*

The Trouble with Breasts*

The Test

Bras, Not Genes*

Working It Out

Stuffed Bras (Off Our Chests)

concert prem. (of 8 numbers) Golden Fleece Ltd., Theater 22, 5/13/01

full concert prem. Eastover, Lenox, Mass. 8/23/01

performances with additional numbers:

8/11/05 Empire Haven, Moravia NY

5/19/06 PeaceSmiths, United Methodist Church,,Amityville NY [SB]

5/19/07 United Methodist Church, Islip NY [SB]

8/10/07 Eastern Naturist Festival, Empire Haven, Moravia NY

8/12/07 Ithaca Commons, NY Green Fest [SB]

8/25/07 Custer Institute, Southold NY [SB]

5/17/08 WomanSpace, Great Neck Senior Center [KW]

10/20/08 Puffin Cultural Forum, Teaneck NJ [KW]

—during Breast Cancer Awareness Month

Sacco and Vanzetti, op. 148

3-act opera (2 hr. 45 min.) begun but left unfinished by

Marc Blitzstein (1959-1963)

commissioned by Ford Foundation,

optioned by Metropolitan Opera, completed 1978-Feb. 2001

published by Theodore Presser;

6 excerpts (asterisked) published by Boosey & Hawkes;

first complete performances in concert with piano:

Aug. 17, 18, 19, 2001, White Barn Theatre, Westport CT

Excerpts performable separately:

*1. Sacco’s Act II Aria, “With a Woman to Be” (4’40”-7’03”)

*2. Sacco-Rosa Act II Duet (2’04”)

*3. Vanzetti’s Last Statement (3’07”)

*4. Vanzetti’s First Aria (2’29”)

*5. Sacco’s “The Whole Shoe” Aria (5’11”)

6. Sacco-Mrs. Evans Duet

7. Sacco-Rosa-Vanzetti Trio (1’45”-2’00”),

also performable as Sacco-Rosa Duet,

music based on Blitzstein’s “The Hills of Amalfi”

*8. Mary Donovan’s Aria,

inspired by “Hymn” from Blitzstein’s Juno

9. Act I Quartet Finale

music derived in part from “Have Yourself a Night”

from Blitzstein’s Reuben Reuben

10. Memorial Day Parade (1’37”)

music based on Blitzstein’s setting  of Alfred Hayes’s

“Into the Streets May First”

11. Thompson’s Act III Aria, “Secrets”

#1 recorded on Premier PRCD 1005

#2-5 recorded on Original Cast Records OC 4441

#1, 7 & 10 recorded on Original Cast Records OC 6127

Equatorial, op. 149 #18

setting of poem by Ian McBryde (3’15”),

#18 (finale) from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

Woman’s Song, op. 149 #17

setting of poem by Judith Wright (2’30”) –

quotes (Schubert’s) “Death and the Maiden,”

as the poem does; #17 from An Australian Odyssey,

op. 149; premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

Portrait, op. 149 #16

setting of poem by Judith Wright (1’40”),

#16 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

fairytale, op. 149 #15

setting of unpunctuated, uncapitalized prose poem

by Ania Walwicz (8’25”),

#15 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002;

also performed at Hakoah Club, Bondi, Sydney, 1/9/02,

and at Jan Hus Playhouse, NYC, 4/27/08,

co-sponsored by Vox Novus & Remarkable Theatre Brigade

Erstwhile, op. 149 #14

setting of poem by Chris Wallace-Crabbe,

#14 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

Crosstalk, op. 149 #13

setting of poem by John Tranter (2’10”),

#13 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002;

also performed at Hakoah Club, Bondi, Sydney, Jan. 9, 2002

Antipodean Heads, op. 149 #11

setting of poem by John Forbes (1’50”),

#11 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002;

also performed at Hakoah Club, Bondi, Sydney, Jan. 9, 2002

After Babel, op. 149 #8

setting of poem by Peter Goldsworthy,

#8 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

Missing Him, op. 149 #7

setting of poem by Jordie Albiston (1’30”),

#7 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

Fugue, op. 149 #5

setting of eponymous poem by Alison Croggon (2’05”),

#5 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

No More Boomerang, op. 149 #3

setting of poem by aboriginal Australian poet,

Oodgeroo Noonuccal (2’20”);

#3 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002;

also performed at Sydney Naturally, Jan. 19, 2002,

on 2 Melbourne radio broadcasts,

Dec. 30, 2001 & Jan. 5, 2002;

and at Jan Hus Playhouse, NYC, Apr. 27, 2008,

co-sponsored by Vox Novus & Remarkable Theatre Brigade

I Remember, [Sonnetina #12], op. 149 #2

setting of sonnet by Jacob Rosenberg,

premiered by Effie Apelast-Weinberg & composer,

CAMI Hall, Oct. 23, 2001;

also performed by Helene Williams & composer,

Theodor Herzl Club, N. Caulfield, Melbourne 12/31/01,

and at Hakoah Club, Bondi, Sydney, Jan. 9, 2002;

#2 from An Australian Odyssey, op. 149 –

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

Love Sonnet #9 [Sonnetina #11], op. 149 #1

setting of sonnet by Edith Speers, for soprano & piano;

#1 from An Australian Odyssey, op. 149;

premiered by Helene Williams & composer,

Bryant Library, Roslyn NY Dec. 2, 2001,

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002;

also performed by them at Hakoah Club, Bondi, Sydney,

Jan. 9, 2002; Sydney Naturally, Jan. 19, 2002;

and on 2 Melbourne radio broadcasts, Dec. 30, 2001

Australian Odyssey, An, op. 149

18-song cycle on poems by Australian poets (42’30”):

Edith Speers (#1), Jacob Rosenberg (#2),

Oodgeroo Noonuccal (#3), Alex Skovron (#4 & 6),

Alison Croggon (#5), Jordie Albiston (#7),

Peter Goldsworthy (#8), Judith Wright (#9, 16 & 17),

Michael Dransfield (#10), John Forbes (#11 & 12),

John Tranter (#13), Chris Wallace-Crabbe (#14),

Ania Walwicz (#15), Ian McBryde (#18);

for Helene [Williams], to Alex Skovron;

premiered by her & composer,

Bryant Library, Roslyn NY, Dec. 2, 2001

Chapel Off Chapel, Prahran, Melbourne, Jan. 5, 2002

Dream Deferred, A, op. 152

setting of Langston Hughes’ poem “Harlem”

for voice & piano (1’30”);

premiered by Helene Williams & composer, Apr. 14, 2002

at Queens College Langston Hughes Centennial;

also performed by Darryl Taylor;

and by Jeannine Otis & composer, 2nd Hofstra

Suburban Diversity Conference, Oct. 26, 2010

Jewish Haiku, op. 154

twelve 3-line settings for baritone, soprano & pno/orch:

#1 In the Beginning

#2 Manhood

#3 Nature

#4 Rain

#5 Weather

#6 Death

#7 Elijah

#8 Mantra

#9 Fish

#10 Wandering

#11 The Score

#12 After All

premiere Aug. 22, 2002 by Cary Bair & Helene Williams

with composer at the piano, Eastern Naturist Gathering,

Eastover Resort, Lenox, Mass.

Eve, op. 156

duet for soprano & tenor, a cappella (1’22”)

on text by Abel Meeropol;

premiered by Helene Williams & Gregory Mercer,

Queens College, Feb. 23, 2003;

recorded on Original Cast Records CD 6055

The Abel Meeropol Centennial Concert

Wooing, The, op. 158

one-act opera for SATB (24’07”)

libretto by Lewis Allan (Abel Meeropol), originally for Elie Siegmeister,

one-act opera after Anton Chekhov’s Medved’, premiered by

Helene Williams, Tara Venditti, Gregory Mercer, Gregory Rahming

conducted by composer, Queens College, 2/23/03

recorded on Original Cast Records CD 6055

The Abel Meeropol Centennial Concert