by Patricia W. King for pno 00:07:00 1980
Compositions
Anguish, Acquiescence & Aftermath
by Patricia W. King for pno 00:07:00 1980
Three Preludes
by Patricia W. King for pno 00:06:35 1982
Concoctions
by Patricia W. King for pno 00:11:00 1989
Perspectives
by Patricia W. King for pno 00:10:00 1990
Remembering
by Patricia W. King for pno 00:06:40 1992
Three Moods
by Patricia W. King for pno 00:09:00 1993
Three Impressions
by Kenneth Henkel for piano solo 00:09:15 2002
Two Pieces for solo Piano
by Kenneth Henkel for pno 00:02:30 1998
Resting on a Lily Pad
by Paul Hefner for pno. 00:03:00 2008
Tsunami
by Paul Hefner for pno. 00:03:30 2008
5 1/2 Easy Pieces
by Paul Hefner for Piano 00:15:00 2008
Three Perspectives Over Water
by Paul Hefner for Piano 00:09:30 2007
Fantasia for Tanya
by Paul Hefner for pno. 00:04:30 2006
Vernacular Dances
by Charles Griffin for PF 00:13:00 1996
Prelude: Homage to Chopin
by Charles Griffin for PF 00:03:00 2003
A Little Morning Music
by Brian Gillett for pno 00:18:00 2001
Constructions for Piano
by Jay Anthony Gach for piano solo 00:10:00 1974
Sonatina 1974
by Jay Anthony Gach for piano solo 00:06:00 1974
Piano Sonata #1 (A “London” Sonata)
by Jay Anthony Gach for piano 00:16:00 1993
Piano Sonata #2 (Once Down South)
by Jay Anthony Gach for piano 00:20:00 1996
Sonata #3 (based on a fragment from an original song)
by Jay Anthony Gach for piano 00:08:00 1998
Sonatina in C
by Jay Anthony Gach for piano solo 00:15:00 1998
Picture Me…
by Jay Anthony Gach for several volumes for young pianists 01:00:00 2001
NIGHT PIECES
by Jay Anthony Gach for 17 pieces for piano 01:30:00 2004
INTO THE LIGHT
by Jay Anthony Gach for series of piano pieces 00:04:00 2005
Piano Sonata No 2
by Murray Cohen for piano 00:11:00 2006
Millennium Suite
by Murray Cohen for piano & Orchestra 00:20:00 2000
Three Silly Piano Pieces
by Richard Brooks for piano 00:03:00 1999
Fantasy-Impromptu
by Richard Brooks for piano 00:12:00 1982
Variations
by Richard Brooks for piano 00:20:00 1967
Not a Trifling Matter
by Allen Brings for pno 00:00:50 2008
Three Studies for piano, left-hand
by Allen Brings for pno 00:07:36 2005
Variations on Vom Himmel Hoch
by Allen Brings for pno 00:06:00 2003
Ten Conceits
by Allen Brings for pno 00:08:00 2001
Vision fugitive
Allen Brings for pno 00:04:00 1998
Dedications
by Allen Brings for pno 00:06:00 1991
Michael Poast
MICHAEL POAST conducted the world premiere of his Color Music for Orchestra and was honored with an ASCAP Award. Poast is nationally known for his large steel sculpture and as a composer for his Color Music that uses visual colors and shapes as an alternative musical notation method. While still a student at the University of Cincinnati College-Concervatory of Music, Poast was already questioning the connection between sound and color. He received his Masters of Fine Arts from the City University of New York and is currently Composer-in-Residence at the Players Theatre in Greenwich Village, NYC. He has numerous public art credits and has been honored with awards from the Lila Acheson Wallace Fund, Meet the Composer and the Gottlieb Foundation. View his Color Music Tutorial on youtube.com and read his article Color Music: Visual Color Notation for Musical Expression, Leonado Journal, 2000. Six Dimensional Color Music was premiered at The Players Theatre in April 2010, performed by Jean Kopperud, clarinet and Haleh Abghari, soprano. In this performance the color score was constructed out of multi-dimensional shapes that functioned as a stage set through which the musicians moved.
Steven Rosenhaus
Membership: LICA, N.A.R.A.S., ASCAP, NYSSMA, NAfME, Society for Music Theory, Music Theory Society of New York State, College Music Society, American Composers Forum.
Email: musicprint@earthlink.net
Web Page: https://files.nyu.edu/slr3/public
Steven L. Rosenhaus is respected as a composer, lyricist, arranger, conductor, author, educator, and performer. His concert music has been called “clever, deftly constructed and likable” by The New York Times, and Back Stage magazine has called his music and lyrics for the off-Broadway show Critic “sprightly, upbeat, and in the ballad repertory, simply lovely.” His works have been played throughout the world by such performers as the United States Navy Band, the U.S. Naval Academy Band, the New York Repertory Orchestra, pianist Laura Leon, violinist Florian Mayer, conductor Milko Kersten and the Dresden Sinfonietta, the New Hudson Saxophone Quartet, the Meridian String Quartet, conductor Paul Popescu and the Ploiesti Symphony Orchestra (Romania), and the Chicago Chamber Orchestra, Dieter Kober conductor.
Dr. Rosenhaus serves as Adjunct Assistant Professor of Composition at New York University (NYU). He holds a Ph.D. from NYU, as well as M.A. and B.A. degrees from Queens College, C.U.N.Y.; his composition mentors included George Perle and Hugo Weisgall. Dr. Rosenhaus has conducted a wide variety of service, professional, amateur, and educational instrumental and choral groups, including the U.S. Naval Academy Band, the United Choral Society (2001-2002) and, in 1998, the New York premiere of Sussex Celebration for orchestra on the main stage at Carnegie Hall. He currently has over 150 original works and arrangements in print with LudwigMasters Publications, Music-Print Productions, and others; recordings of his works can be found on the Capstone, Musical Tapestries, Richardson, and MPP labels.
Steven’s recent works include:
2012:
- Fake Folk Song Suite No. 1 for string orchestra
- Nine Feet of Brass (a Concerto for Trombone and Band)
2011:
- Accordances (Symphony No. 2) for orchestra
- Rescuing Psyche for flute and piano
- Variations on a Neapolitan Theme (“Cicerenella”) for band
- The Apian Way for piano
Steven Rosenhaus is the author of The Concertgoer’s Guide to the Symphony Orchestra (The Music Gifts Company), and co-author with Allen Cohen of Writing Musical Theater (Palgrave Macmillan). He is a Yamaha Affiliate Piano Artist, and has received numerous awards and grants from ASCAP, the American Composers Forum, and other organizations. For more information, please see his web page.
George Cork Maul
George Cork Maul
P.O. Box 635
New Suffolk, NY 11956
631.734.7035
Email: gcmaul@gmail.com
George Cork Maul is a composer, pianist and performance art specialist living and working in New Suffolk. He studied 12-tone composition with Isaac Nemiroff at Stony Brook where he earned a B.A. and went on to do graduate work in electronic music with Bulent Arel and classical style with Charles Rosen. After touring for several years and working as a studio musician, he began composing a wide range of serial and tonal music. His credits include modern songs, suites and dance pieces, contemporary operas, musical theater works and music for software. His compositions have been performed in Italy, Ireland, Canada and the United States. He is currently composing pieces for string orchestra and can be found performing at north fork vineyards, Long Island libraries, art openings and other theatre venues.
SIGNIFICANTÂ PROJECTS
• Composition of computer generated mock-Chinese contemporary opera, “The Empty City”
(performed at Greenport First Night Celebration); Sound Sculpture for Greenport Footfalls.
• Organized and led software development team in creation of web based interactive bilingual education/literacy software for IBM as part of global push in software development.
• “Besides Ourselves” and “Brushstrokes” collaborative performance pieces at Whitney Art Works
• Recipient of Meet the Composer grants in 2001, 2004 and NYS S.O.S. grant in 2000,2002,2003.
• Collaboration with Canadian playwright to develop contemporary opera/musical theater pieces, “The Discovery” and “The Illusion” performed at the Alberta Theater Projects recent seasons.
• Sound Design for “The Children of Lir”; Original Music for two short plays by Sam Shepard.
• Logo and trademark development for “The Light in the Forest Collection” for Imperial Software.
• Composition of “L’ Uccello Nero” and other solo piano works (Debut at Parrish Art Museum).
• Score for Northeast Stage Production of A Midsummer Night’s Dream, As You Like It and The Tempest at Shakespeare in the Park.
• Co-organizer of The East End Musicians Think Tank and Guest Curator at The EEAC.
• Organizer of “Stories and Soundscapes” a collaboration of writers, composers and storytellers.
ON GOING
• Composer/pianist exploring long forms and free forms, performing live and writing daily.
• Explorations in the fields of multimedia, music theater and performance art.
• Consultant, advisor and producer of interactive/multimedia software
• Dialog and networking within the artistic community.
• Board of Directors of Douglas Moore Festival, Peconic Chamber Orchestra, and First Night Greenport.
• Treasurer, Long Island Composers Alliance
• Teacher at The East End Arts Council Community Music School
• Member of ASCAP, and The Long Island Composer Alliance
• Founder of the Hidden City Orchestra, a performance art collective.
SKILLS AND SUNY at Stony Brook, BA in Music Composition
EDUCATION One year graduate work electronic music and multimedia.
Electronic musician with strong proficiency in midi and digital audio applications.
Herbert A. Deutsch
Email: mushad@hofstra.edu
LONG BIO (SEE BELOW FOR SHORT PROGRAM BIO)
Herbert A. Deutsch has had an eclectic career as a composer, author, educator and music marketing consultant. Professor Emeritus of Music and, until September. 2001, Chairman of the Music Department at Hofstra University, he directed the Music Business Program, the Electronic Music and Recording Studios and taught composition and multimedia. A composer of music in various media, his work has been widely performed and commissioned works have been featured at national and regional conferences of The Music Educators National Conference, Small Computers and the Arts Network, the Society for Electroacoustic Music in the United States and other organizations. In 1972, he co-founded the Long Island Composers Alliance, and is currently its President and Archivist. He is a recipient of numerous Meet The Composer and ASCAP Awards. At Hofstra he composed the scores for six Shakespeare Festival productions, including two while still an undergraduate student. During his forty-eight year teaching career at Hofstra, he founded the Jazz Ensemble, the Electronic Music Studios, the New Music Ensemble and created the B.S. Degree programs in Jazz, Composition/Theory and Music Business. He received the George Estabrook Distinguished Alumni Award in 1996 and the Hofstra Alumni Achievement Award in 2001. In his honor the Music Department has established the Herbert Deutsch Award for highest honors in Music Education.
His interest in electronic music led him to collaborate, in 1964, with Robert A. Moog on the development of the first Moog Synthesizer and, in September of 1965, his “New York Improvisation Quartet” gave a Town Hall, New York concert which included the Moog’s first live public performance. In 1969 his quartet presented the Moog’s first jazz program at “Jazz in the Garden” at the Museum of Modern Art. His multimedia opera, Dorian (based on the Oscar Wilde novel “The Picture of Dorian Gray”) received its world premiere performances by the Hofstra Opera Theater in February,1995. Since 1994, he has been a member of The NY State School Music Association’s Music Technology Committee. He is also a member and judge of NYSSMA’s Composition and Improvisation Committee. He is a regular clinician in composition sessions at NYSSMA’s All-State Conference and is a NYSSMA all-state jazz adjudicator.
He was Director of Marketing and Sales at Moog Music from 1979-83, and has been a marketing and development consultant to Roland Corporation, Multivox Music, Norlin Industries, Passport Designs Software and Jim Henson’s Muppets. He is the author of Synthesis (Alfred Publishing Co.), in its second edition and published in Japanese and Korean, Electroacoustic Music; Its First Century (CPP/Belwin) and Teach Yourself Piano (Karamar Publications). He is active in the Society for Electro-Acoustic Music in the United States, Small Computers in the Arts Network, was co-founder, Educational Consultant and feature writer for The Music & Computer Educator and a reviewer for The American Record Guide. His CD Woman in Darkness was released in September, 1999 on 4Tay Records. His String Quartet Preamble & Fugue performed by the Meridian Quartet appears on Capstone Records. His CD From Moog to Mac was released in June 2007. In June, 2000 he was featured on a History Channel production on the First Moog Synthesizer and he appears and has music credits in the 2004 film MOOG. He is listed in Who’s Who in America and Who’s Who in Education. In September, 2007 he was given a Lifetime Achievement Award for his contributions to electronic music at BB Kings in NY City. He was inducted into the LI Music Hall of Fame as 2007 Music Educator of Note, and received the NY State School Music Association Distinguished Service Award at that year’s All-state conference.
SHORT (PROGRAM) BIO
Herbert A. Deutsch, current President of the Long Island Composers Alliance, earned a Bachelor’s at Hofstra University and a second Bachelor’s and Master’s from The Manhattan School of Music. He studied composition with Albert Tepper and Elie Siegmeister, studying with Siegmeister both at Hofstra and privately over a period of several years. A pioneer in electronic and multimedia composition, he collaborated with Robert Moog in 1964 on the design of the first Moog Synthesizer. In 1965 he gave the first live concert performance on the Moog at Town Hall and the first synthesizer ensemble concert at the Museum of Modern Art in 1969. He is the author of three books and over 40 published articles on electronic and computer music and is a Professor Emeritus at Hofstra University, where he was Department Chairman. He is the recipient of Hofstra’s George Estabrook Distinguished Alumni Award, the Hofstra Alumni Acheivement Award and numerous “Meet The Composer” and ASCAP Awards. He has been listed in Who’s Who in America since 1999.He was given a Lifetime Acheivement Award at BB Kings in NYC for his contributions to electronic music, and has been inducted into the L.I. Music Hall of Fame as 2007 Music Educator of Note.
Five Pieces (1980)
by Allen Brings for pno 00:13:00 1980
Petite Suite
by Allen Brings for pno 00:06:00 1976
Sonatine
by Allen Brings for pno 00:07:00 1972
Four Graded Pieces for Younger Pianists
by Allen Brings for pno 00:03:00 1968
Sonata
by Allen Brings for pno 00:18:00 1961
Variations on an American Folk Song
by Allen Brings for pno 00:03:00 1954
Andante for Two Pianos
by Avraham Sternklar for pno pno 00:04:00 1962
Duo in E for Two Pianos
by Avraham Sternklar for pno pno 00:02:00 1960
Rondo for Two Pianos
by Avraham Sternklar for pno + pno 00:03:40 1963
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